
Choreographic Work
ARTIST STATEMENT
My intention as a dance artist and choreographer is to generate humanizing choreographic works that cultivate empathy, introspection, and intimacy with a viewer. More specifically, works that unpack the more eccentric, neurotic, deranged, and complicated aspects of personhood and society.
I work to combine my own ideas with references to cultural memories, using retrospection to intentionally foster a sense of nostalgia in my work.
My work plays within the space between familiarity and distortion. I seek to highlight the extraordinary through manipulation of the mundane or ordinary features of life. My research harnesses a dancer’s ability to reimagine and expand the limits of the human body, searching for new levels of fragility, hypermobility, fluidity, and supple articulation of the spine. I am interested in the ethereal tenderness of these qualities and equally, the range of control, surrender, and absurdity that can be discovered through searching for these places.
CHOREOGRAPHIC REEL (2024)

SEVEN (2022)

Inspired by Rheostatics' retrospective musical score on the work of the Group of Seven, SEVEN explores the internal and external environments we occupy. Through a series of solo narratives, intimate duets, and intricate group ensembles, the work captures familiar moments where solitude and companionship intersect and coexist.
Moments of fluid synchronicity are manipulated and disturbed by the internal narratives of the artists that work both in opposition and partnership to one another. The cast, featuring seven new voices in contemporary dance functions as an ecosystem itself, applying touch, isolations, and repetition in their engagement with one another, articulating the universal experience of being both alone and together.
FACE: APPEARANCE OF FORM (2022)
